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Ancient And Modern (Cassette Memories Volume One)

by Aki Onda

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Tron Tron Soundlab, Buffalo, NY, April 10, 2005. Aki Onda stands behind four or five fold-out tables. On the tables are several dozen cassette players. He picks one up, presses play. Then another and another and another. Noises, voices, street sounds, nature sounds, radio sounds. He returns to an earlier one, rewinds a bit. Loops another one in. The sounds coalesce. They weave, they bounce against each other. Magic happens. It is unforgettable.
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  • Ancient And Modern (Cassette Memories Volume One)
    Compact Disc (CD) + Digital Album

    THIS IS THE ORIGINAL CD RELEASED IN 2003. SIGNED BY THE ARTIST! ONY A FEW COPIES LEFT!

    Limited Edition 1000 copies (sold out at the other stores). Special gatefold paper jacket printed in Japan.

    Ed Pinsent of The Sound Projector wrote "Onda's been an electronic composer and improvising musician for over 10 years; I think he's now based in Brooklyn NYC. This is a CD of cassette-tape compositions, and it's a fairly incredible collection. A frequent traveller, Onda got into the habit "which became an obsession" of making cassette recordings of sounds and ambiences he heard wherever he went. He used a little hand-held device to do it. It became so important he turned it into a project, gave it a name "Cassette Memories." It beats collecting air miles any day.

    He liked the way he would "collect these sounds recklessly, innocently." Acutely self-aware, he didn't even know why he was doing it. There was no intention, at first, to use these tapes to make them into a musical statement of any kind. He looked around one day and found he had practically built up a "diary of sound," as he calls it. He also found he was running out of storage space for these little beasts, which were accumulating quicker than dead cockroaches in an NYC apartment. In an act of recycling that would delight Friends of the Earth, he started to make new sounds out of old. He decided to start putting the tapes together and got lost in the process; he "layered new sounds onto them," and attained "some incredible sonic collages that just invented themselves."

    That last bit is pure modesty on his part, of course. In the hands of a gifted creator like Onda, it might seem easy. Anyone else could take their stack of home recordings and treat them likewise. They'd likely end up with a sprawling mess of noise. They could even use the same materials as Onda, and it would end up badly. What seems to be most important, more so than the process really, is how Onda's personal life (his memories, his travels) has become inscribed into the music you hear. "Entangled" is the word he uses for it; it happens in a highly effective and natural way, and this lack of contrivance is wonderful and refreshing.

    To listen to, this CD is... well, glorious layers and layers of looped sounds, odd unrepeatable patterns emerging, shimmering rhythms, moments of pure magic. This powerful music and sound-art is filled with nostalgia, packed with events, moment and gravity. Where some lesser creators, having hooked into a new "gimmick" for making distinctive sounding music, might feel content to repeat themselves, Onda demonstrates lots of varied methods in the tracks released here. Where "One Day" is a dense kaleidoscopic mass, "Eclipse" is more obviously fragmented. The former uses lots of loops to build up a very deep sound image, the latter uses distressed tapes, vaguely open-air recordings, moments of action in an urban setting. "Eclipse" also shows the exciting way that Onda is joining the sounds together; the "meanings" of the original events have been emptied out, in favour of purely sonic associations... matches of tone, texture, timbre, and so forth.

    In "Flickering Lights," we hear the way that the coarse-grained, approximate quality of the cassette tape has been made into a positive virtue, along with a few backwards tapes and further loops; this one is somewhat reminiscent of William Basinski and his Disintegration Loops. "Voice" is one of the more uncanny statements here; a looped fragment of voice is put together with an urban bricolage, with its sudden shifts of time and place suggesting a jagged journey in an impossible dimension. "Dream" is another magnificent and powerful piece; far from depicting a wispy and ethereal daydream, this is a deep Surrealist fantasy made real, an eerie drum-propelled odyssey across fields of strange sounds and fantastical pulsing rhythms. Incredibly beautiful. The final track "Last" is where he pulls out all the stops, and shows you the full extent to which he's capable of crafting his material into something new, vital and vibrant. An incredible assemblage, layers of amazing sound; the use of ultra fast-forward tapes, creating a string of far-out gibberish speech, is the least impressive part of it.

    Add to all this a sumptuous CD package which is assembled like a mini gatefold LP cover; artwork is pasted on boards, and a great collage design adorns it. You rarely encounter such greatness; I will certainly start looking for the other CD by this fellow. Certifiable genius."

    Includes unlimited streaming of Ancient And Modern (Cassette Memories Volume One) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
One Day 14:48
2.
Eclipse 12:01
3.
4.
Dream 03:39
5.
Last 09:20

about

This album was originally released by Phonomena Audio Arts & Multiples in 2003 and digitally re-issued by Lawrence English's Room 40 in 2020.

On Cassette Memories - Lawrence English
I first heard Aki Onda’s work in the early 00s. It was first introduced to me by my friend DJ Olive who was involved in the Phenomena Audio Arts and Multiples label alongside Toshio Kajiwara. Ancient And Modern, the first in the series of Cassette Memories works, was a dynamic, playful collection of textured recordings. Onda crafted a series of pieces that launched off from a kind of devolved musique concréte, seeking to dwell on the materialist structures of the sounds he encountered and the medium through which he encountered them. Moreover Ancient and Modern set out the framework for how subsequent volumes would evolve and specifically how he would seek to mediate the relation between sound, tape and memory.

That same year, Bon Voyage! arrived on the excellent Improvised Music From Japan label (which to this day was responsible for some of the most challenging and rewarding music emanating from Japan at the beginning of the new century). In contrast to Ancient and Modern, this edition sought to allow the recordings to ’speak for themselves’. The field recordings gathered unfolded with a sense of intention and at times provocation, prompting the listener to forgo expectation in favour of being present to the moment (and the medium).

South Of The Border, the third volume in the series arrived in 2012 and again refined the focus of the project. This time Onda selected work that was threaded together by geography, place and situation.

Across these volumes, Aki Onda has charted what is now a significant body of sound. Sitting within a conceptual field that is bordered by Musique Concréte, field recording, experimental sound practices and listening more broadly, the Cassette Memories series is without question one of Onda’s most important statements. It is made available here in conjunction with the publication of a book that includes a series of new texts and images that outline the approaches and concepts guiding the work.

credits

released February 14, 2020

Composed by Aki Onda
Recorded in New York and Hanover between 2000 and 2001
Additional sounds: Yoshio Machida (track 1), Brenda Hutchinson (track 4)
Re-mastered by Lawrence English
Artwork by Aki Onda
Originally released by Phonomena Audio Arts & Multiples in 2003
Thanks to Toshio Kajiwara and DJ Olive

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Aki Onda Mito, Japan

Aki Onda is an artist and composer. His musical and visual works are often catalyzed by and structured around memories—personal, collective, historical—such as his widely-known project "Cassette Memories", drawn from three decades of field recordings (or, as Onda refers to them, ‘sound diaries’). After residing in New York for many years, he currently lives and works in Mito, Japan. ... more

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